{"id":233,"date":"2021-04-05T16:40:38","date_gmt":"2021-04-05T16:40:38","guid":{"rendered":"http:\/\/www.endogene.fr\/?page_id=233"},"modified":"2022-02-24T19:26:29","modified_gmt":"2022-02-24T19:26:29","slug":"performance-lecture-danse-video-demmanuelle-sarrouy-et-jean-paul-nogues","status":"publish","type":"page","link":"http:\/\/www.endogene.fr\/?page_id=233","title":{"rendered":"Performance lecture\/danse\/vid\u00e9o d&rsquo;Emmanuelle Sarrouy et Jean-Paul Nogu\u00e8s"},"content":{"rendered":"<p><strong>Performance lecture\/danse\/vid\u00e9o d&rsquo;Emmanuelle Sarrouy et Jean-Paul Nogu\u00e8s<\/strong><\/p>\n<p id=\"primary\" class=\"content-area\"><strong><em>Suppl\u00e9ments d\u2019\u00e2mes \/ Supplement of Souls<\/em><\/strong><\/p>\n<p>Suppl\u00e9ments d\u2019\u00e2mes est une \u0153uvre qui de fa\u00e7on tr\u00e8s contemporaine allie plusieurs disciplines artistiques : la litt\u00e9rature, la danse et l\u2019art vid\u00e9o. C\u2019est d\u2019abord un texte \u00e9voquant comment un corps peut porter et revendiquer une id\u00e9e et la sublimer. Ensuite, c\u2019est par la danse que cette id\u00e9e est incarn\u00e9e : dans la p\u00e9nombre, une danseuse qui n\u2019est visible que par la projection vid\u00e9o d\u2019images sur son corps. Des images de trac\u00e9s lumineux qui virevoltent pour dessiner sa silhouette en mouvement. Et cr\u00e9er une vision po\u00e9tique et magique.<\/p>\n<p>Exposer, projeter, c\u2019est mettre en avant, jeter avec force au devant de soi. Mettre en action, en mouvement dans un espace\/temps qui devient \u00ab\u00a0autre\u00a0\u00bb et permet par sa transformation d&rsquo;\u00a0\u00bbenvisager autrement\u00a0\u00bb. Le portrait et ses multiples facettes, comme une performance de nos miroirs intimes pour dire le monde autrement. Il y a cette id\u00e9e que nous poursuivons, chacun \u00e0 notre mani\u00e8re, de creuser, chercher dans le mouvement, les corps, la mati\u00e8re et la lumi\u00e8re notre part d\u2019humanit\u00e9 (en perp\u00e9tuel devenir). R\u00e9sistante, persistante, brillante.<\/p>\n<p>\u00ab\u00a0L\u2019\u00e9motion cr\u00e9atrice qui soulevait ces \u00e2mes privil\u00e9gi\u00e9es,<br \/>\net qui \u00e9tait un d\u00e9bordement de vitalit\u00e9, s\u2019est r\u00e9pandue autour d\u2019elles :<br \/>\nenthousiastes, elles rayonnaient un enthousiasme<br \/>\nqui ne s\u2019est jamais compl\u00e8tement \u00e9teint et qui peut toujours retrouver sa flamme.\u00a0\u00bb<br \/>\nHenri Bergson in \u00ab\u00a0Les Deux Sources de la morale et de la religion\u00a0\u00bb, 1932<\/p>\n<p><em>Supplements of souls is a work which in a very contemporary way allies several artistic disciplines : the literature, the dance and the video art. It is at first a text evoking how a body can carry and claim an idea and sublimate it. Then, it is by the dance that this idea is embodied : in the half-shade, a dancer who is visible only by the video projection of images on her body. Images of bright rays of light which spin to draw her silhouette in movement. And create a poetic and magic vision.<\/em><\/p>\n<p><em>To expose, intend, it is to put forward, to throw with strength to the front of oneself. Put into action, in movement in a space\/time which becomes \u00ab\u00a0other\u00a0\u00bb and allows by its processing \u00a0\u00bb to consider differently \u00ab\u00a0. The portrait and its multiple facets, as a performance of our intimate mirrors to say the world differently.<br \/>\nThere is this idea which we pursue, each in our own way, to dig, to look in the movement, the bodies, the matter and the light our part of humanity (in perpetual a becoming). Resistant, persistent, brilliant.<\/em><\/p>\n<p><em>\u00ab\u00a0The creative emotion which raised these privileged souls, and which was an overflowing of vitality, spread around them : Enthusiasts, them shone an enthusiasm which went out never completely and which can always find its flame.\u00a0\u00bb<br \/>\nHenri Bergson in \u00ab\u00a0Both Sources of the morality and the religion\u00a0\u00bb, 1932<\/em><\/p>\n<p><strong><em>Experimental \/ Performance, 20\u2032<\/em><\/strong><br \/>\nMise en sc\u00e8ne et r\u00e9alisation : Jean-Paul Nogu\u00e8s<br \/>\nChor\u00e9graphie et danse : Emilie Garetier<br \/>\nVid\u00e9o projet\u00e9e sur corps, texte et animation lettrage : Emmanuelle Sarrouy<br \/>\nDirecteur de la photographie : J\u00e9r\u00f4me Olivier<br \/>\nIng\u00e9nieur du son : Fr\u00e9d\u00e9ric Salles<br \/>\nCr\u00e9ation 2014 @ Collectif Endog\u00e8ne<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-384\" src=\"http:\/\/endogene.fr\/wp-content\/uploads\/2022\/02\/Supple\u0301ment-da\u0302me-768x525-1.jpg\" alt=\"\" width=\"768\" height=\"525\" srcset=\"http:\/\/endogene.fr\/wp-content\/uploads\/2022\/02\/Supple\u0301ment-da\u0302me-768x525-1.jpg 768w, http:\/\/endogene.fr\/wp-content\/uploads\/2022\/02\/Supple\u0301ment-da\u0302me-768x525-1-300x205.jpg 300w\" sizes=\"(max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/p>\n<article id=\"post-199\" class=\"post-199 post type-post status-publish format-standard hentry category-les-spectacles-lectures tag-danse tag-poesie tag-spectacle-lecture\">\n<div class=\"entry-content\" style=\"text-align: left;\">\n<p>&nbsp;<\/p>\n<\/div>\n<\/article>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Performance lecture\/danse\/vid\u00e9o d&rsquo;Emmanuelle Sarrouy et Jean-Paul Nogu\u00e8s Suppl\u00e9ments d\u2019\u00e2mes \/ Supplement of Souls Suppl\u00e9ments d\u2019\u00e2mes est une \u0153uvre qui de fa\u00e7on tr\u00e8s contemporaine allie plusieurs disciplines artistiques : la litt\u00e9rature, la danse et l\u2019art vid\u00e9o. C\u2019est d\u2019abord un texte \u00e9voquant comment un corps peut porter et revendiquer une id\u00e9e et la sublimer. Ensuite, c\u2019est par &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.endogene.fr\/?page_id=233\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;Performance lecture\/danse\/vid\u00e9o d&rsquo;Emmanuelle Sarrouy et Jean-Paul Nogu\u00e8s&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.endogene.fr\/index.php?rest_route=\/wp\/v2\/pages\/233"}],"collection":[{"href":"http:\/\/www.endogene.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.endogene.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.endogene.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.endogene.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=233"}],"version-history":[{"count":19,"href":"http:\/\/www.endogene.fr\/index.php?rest_route=\/wp\/v2\/pages\/233\/revisions"}],"predecessor-version":[{"id":426,"href":"http:\/\/www.endogene.fr\/index.php?rest_route=\/wp\/v2\/pages\/233\/revisions\/426"}],"wp:attachment":[{"href":"http:\/\/www.endogene.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}